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一 |     CLEVELAND -- The Cleveland Museum of Art has sued New York City authorities over their seizure of a headless bronze statue believed to depict the Roman emperor and philosopher Marcus Aurelius.A warrant signed by a judge in Manhattan on Aug. 14 ordered the seizure of the statue, which the museum acquired in 1986 and had been a highlight of its collection of ancient Roman art. The museum argues in its suit that the statue was lawfully obtained and that Manhattan District Attorney Alvin Bragg’s office has no legal authority to seize it.The warrant was secured as part of an ongoing investigation into a smuggling network involving antiquities looted from Bubon in southwestern Turkey and trafficked through Manhattan, a spokesperson for Bragg has said. The 76-inch (1.9-meter) statue dates from A.D. 180 to 200 and is worth $20 million, according to the district attorney’s office. The suit filed Thursday asks a judge to declare that the museum is the rightful owner of the statue, which it calls “one of the most significant works in the (museum’s) collection” of some 61,000 objects. Museum officials have repeatedly told the district attorney that their evidence is insufficient and suggested other investigative avenues, according to the suit, but all have been refused.The museum said it also has consulted experts who cast “significant doubt” on the identification of the statue as Marcus Aurelius, noting the experts believe it’s more likely a statue of another Greek philosopher.A spokesman for Bragg said the office is reviewing the lawsuit and “will respond in court papers.” He also noted the office has successfully recovered more than 4,600 illegally traffic antiquities.Museum spokesman Todd Mesek said it does not discuss ongoing litigation but noted the museum takes provenance issues very seriously.The statue was removed from view earlier this year, and the museum changed the description of the piece on its website, where it calls the statue a “Draped Male Figure" instead of indicating a connection to Marcus Aurelius.Turkey first made claims about the statue in 2012 when it released a list of nearly two dozen objects in the Cleveland museum’s collection that it said had been looted from Bubon and other locations. Museum officials said at the time that Turkey had provided no hard evidence of looting.The Manhattan district attorney’s office has worked in recent years to repatriate hundreds of objects looted from countries including Turkey, Greece, Israel and Italy. It was unclear who might be targeted in the investigation of the statue seized in Cleveland.Marcus Aurelius ruled as Roman emperor from A.D. 161 to 180 and was a Stoic philosopher whose “Meditations” have been studied over the centuries.The seized statue shows a man in flowing robes holding one hand in front of him in a regal pose.。    

    Photo: Screenshot from website
Chinese animated film Niu Lai, initially mocked online for its "worest" production, has become an unlikely box-office and internet sensation in China and abroad, spawning memes, merchandise and growing interest from global audiences.
Niu Lai crossed 40 million yuan ($5.95 million) in box-office receipts late Saturday, according to Lighthouse, a Chinese ticketing and box-office platform. Meanwhile, Christopher Nolan's The Odyssey currently ranks sixth among this summer's top-grossing films in China, with box-office receipts reaching 457 million yuan.
The film opened in Chinese theaters August 5 and grossed just 342 yuan on its opening day. Its box office totaled around 7,700 yuan over its first 10 days before screenings and ticket sales surged beginning August 14, fueled by widespread online ridicule and curiosity about the film's notoriously rough animation.
It was made over five years by a mother-and-son team, with its crude animation, stiff character movements and unusual plot becoming the main source of its popularity.
It has since become a broader online phenomenon in China. Merchants have begun selling plush toys modeled on its characters, while fans have created memes, posters and other unofficial merchandise. Moviegoers have even placed homemade posters in theaters, although the production company has not released an official poster.
On Douyin, China's version of TikTok, users have produced numerous clips and other fan-made content based on the film. Multiple official Chinese accounts on the platform have also joined the trend, while some users have used AI tools to create new variations of the meme.
Police in Hefei, capital of East China's Anhui Province, used an image from the film in a traffic-safety notice posted on its Douyin account.
Interest has also emerged in Hong Kong, where users on social media have been discussing the film's surprise box-office success and calling for its release in local theaters. Some users tagged Broadway Cinematheque, a Hong Kong independent cinema, asking when it would screen the film. The cinema's official account replied "in talks," prompting excitement among Hong Kong moviegoers. 
The cinema later said it had received a number of requests from audiences but that no screening plans had been finalized, local media reported.
The phenomenon has also crossed China's borders.
The Financial Times and other international media outlets have reported on the film, with some comparing its unlikely rise to cult movies such as The Room, which became famous in part because audiences embraced its flaws.
The movie's growing popularity has also moved beyond social media.
In San Francisco, two independently organized screenings of Niu Lai sold out, according to the San Francisco Chronicle. The screenings were held at a time when the film had yet to secure a broad official overseas release.
The film is now attracting interest from overseas distributors, with Singapore film distributors considering bringing Niu Lai to local theaters, according to Singapore's Lianhe Zaobao.
The Niu Lai meme has also been picked up by organizations outside China, showing how the film's imagery has begun to take on a life beyond the movie itself.
In Malaysia, a blood donation center in Johor Bahru used the story of Niu Lai in a humorous and inspirational social media message encouraging people to donate blood, according to Lianhe Zaobao.
The official TikTok account of Dutch railway operator Nederlandse Spoorwegen also joined the trend, using the Niu Lai meme in one of its posts.
Such uses suggest that Niu Lai is evolving beyond a film-related meme into a broader piece of internet culture, with institutions and brands using its recognizable imagery to connect with audiences, Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times.
The overseas response reflects a reversal of the traditional path for Chinese films seeking international audiences. Rather than being promoted abroad as a polished production built around Chinese culture or expensive visual effects, Niu Lai has traveled overseas largely because audiences found its roughness and absurdity impossible to ignore, he noted.
Its unexpected popularity overseas offers an unusual form of cultural export, driven not only by traditional film marketing but also by memes, curiosity and audiences' desire to experience the phenomenon for themselves, added Zhang. "Thanks to the strong conncted global online culture, such 'mission impossible' animation could become a global sensation and a reality."
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